Cedarwood coffin of
the army commander Sepi
from Deir el-Bersha
and dating to the mid to late 12th Dynasty.
The coffin was within forecourt of the tomb of Governor Djehutyhotep
This coffin has an undecorated interior,
however Coffins of this period
(1st Intermediate to Middle Kingdom)
often had their interiors decorated with scenes of heaped offering tables including clothing, jewellery, tools, weapons, etc.
to ensure the deceased well-being in the eternity.
Extracts from the Coffin-Texts were inscribed and these magical spells would assist in passing onto the next world. The exterior was primarily decorated with scenes related to the funerary rituals to resurrect the dead through association with the creator gods - primarily Osiris and Ra.
The coffin is aligned to the points-of-the-compass, with the east side
(the long side visible in the above picture, being the east).
The top end is North, the far-side is west and the foot
(see two final pictures) is the south.
The body was laid on its left-side so that his eyes could look out of the east-side through the two painted Wadjet eyes and share the daily rebirth via the newly rejuvenated sun at sunrise.
The inscriptions run from the head at the northern end towards the feet at the southern end.
On the long eastern side the inscriptions are mainly an offering formula to Osiris; the western side is an offering formula to Anubis.
The corners of the coffin have inscriptions to the four sons of Horus who are protective deities for the Sepi's body
Imseti and Duamutef are on the eastern corners and Hapy and Qebehsenuef on the western corners.
The central columns invoke other deities who were closely linked to Osiris - on the eastern-side Shu (towards the northern end) and Geb
(toward the southern end) on the western-side are Tefnet
(towards the northern end) and Nut
(towards the southern end).
Top:
Htp di nsw Asir nb Ddw xnty-imntw nTr aA nb AbDw di=f prt-xrw t ka Apd xA sntr xt nbt nfrt wabt n kA n imAx(y) spi mAa-xrw
An offering which the King gives to Osiris the Lord of Djedu (Bubastis)
and to Khentyimentu so that he may give a voice-offering of bread, foul, ox, incense, and a thousand of everything good and pure for the Ka of the revered Sepi, the justified (true of voice)
Left:
imAx(y) xr dwA-mwt=f spi mAa-xrw
Sepi true of voice, the revered one before Duamutef
Left centre:
imAx(y) xr gb mSa spi mAa-xrw
General Sepi true of voice, the revered one before Geb
Right Centre:
imAx(y) xr Sw mSa spi mAa-xrw
General Sepi true of voice, the revered one before Shu
Right:
imAx(y) xr imsti spi mAa-xrw
Sepi true of voice, the revered one before Imseti
Wadjet Eyes:
ptr nfrw
Viewing the splendour
Note - "General"
(without a more descriptive title such as the Overseer of the Army i.e. one of the King's close staff)
is not a specific title in Ancient Egyptian and the hieroglyph indicates he was the leader of soldiers or a commander rather than specifically a General as we understand in modern military organizations.
Deir el-Bersha is a necropolis and quarry site on the east bank of the Nile, in the remote cliffs at the mouth of the Wadi Deir el-Nakhla.
The site is important not only for its 39 rock-cut tombs, many similar in style to the later tombs at Beni Hasan, but also for its extensive galleries of limestone quarries. The most important tombs belong to the 11th and 12th Dynasty governors of the 15th Nome who lived in Hermopolis on the east bank of the Nile.
The decorated tombs in the cliffs of Deir el-Bersha date from the Old Kingdom, First Intermediate Period and Middle Kingdom, when it was the principal cemetery of Hermopolis. Early excavations at the site brought to light a number of high-status burials, some of them substantially intact.
The most famous and most impressive of the Middle Kingdom tombs was constructed for Djehutihotep, a governor who ruled during the 12th Dynasty reigns of Amenemhet II, Senusret II, and Senusret III. Djehutihotep’s was 'Great Overlord of the Hare Province' and his tomb has a portico with two palm-columns, a rectangular inner hall and a deep cult chamber with a statue niche up a short flight of steps.
The tomb is known for a unique painted scene depicting the transportation of a colossal statue of the deceased from the alabaster quarries at Hatnub to his mortuary chapel.
The scene shows how the 60 tonnes 6.5m statue was dragged on a wooden sledge by 172 men pulling with ropes, while another man pours something (presumably water)
from a jar to lubricate the ground in front of the sledge.
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